Let's have some suggestions for the February BOTM. I will put up a poll on the 10th, so keep the ideas coming until then.
Abigail 5/17/06 Isabelle 10/17/07 trying for #3
"Life's what you make it - so let's make it rock." - Hannah Montana
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There are, of course, some less vinous characters in the novel. Harris's protagonist, Jay Mackintosh, is a former literary star, now sadly stalled. He spends his time writing second-rate science fiction, leading a hollow media life, and drinking: "Not to forget, but to remember, to open up the past and find himself there again." Yet the nice, expensive wines don't do the trick. Instead, six "Specials"--a gift from his old friend Joe--function as Jay's magical elixir. Like Proust's lime-blossom tisane, they give him the gift of his memories but also unlock his future, which encourages him to flee the rut of his London life and buy a house in Lansquenet.
As Jay settles in, he contemplates his childhood friendship with Joe, whose idiosyncratic outlook was the inspiration for his only successful book. Meanwhile, he becomes involved in village life, encountering some familiar faces from Chocolat. Caro and Toinette, the snooty troublemakers, soon put in an appearance, and Josephine, the bar owner and battered wife of the earlier novel, becomes a real friend. But it's a new character, the enigmatic Marise, who becomes the focus of Jay's attention--and who helps to restore his literary joie de vivre. This feat of resurrection makes for a hugely enjoyable read. It also goes one step further in adding Lansquenet to the map of imaginary destinations, where daydreams can come true with intoxicating frequency. --Eithne Farry
Palahniuk (Fight Club; Invisible Monsters) once again demonstrates his faith in the credo that before things get better, they must get much, much worse. Like previous Palahniuk protagonists, Victor Mancini is young and prematurely cynical, a med school dropout whose eerily detached narration of the banal horrors of everyday existence gives way to a numbed account of nihilistic carnage. Cruising sex-addict meetings for action, Victor enjoys bathroom trysts with nymphomaniacs on short prison furloughs, focused on maximizing his sexual highs.
During the working day, he is trapped in a 1734 colonial theme park, where the entire self-medicated staff blearily endures abusive school tours while hiding out from the world. Victor supports his mother, who is in the hospital, stricken with Alzheimer's; she is wasting away, and despite the misery she put him through in childhood (revealed in an increasingly horrific series of flashbacks), he wants to be a good boy and take care of her.
This becomes challenging when Victor is seduced by a strange hospital worker calling herself Dr. Marshall, who shows him his mother's diary; it describes her self-impregnation by a holy relic she believes to be the foreskin of Jesus. This has a profound effect on Victor, who is stunned by the possibility that there may be some good in him after all. Victor is even more pathetic than Palahniuk's previous antiheroes, in that the world he creates for himself (a carnivalesque m‚lange of theme park, geriatric ward and asylum) is actually more horrific than the one he seeks to escape. Still, the novel showcases the author's powers of description, character development and attention-getting dialogue handily enough to give this dark meditation on addiction a distinctive and humorous twist. Author tour.
Copyright 2001 Cahners Business Information, Inc.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
"I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974." And so begins Middlesex, the mesmerizing saga of a near-mythic Greek American family and the "roller-coaster ride of a single gene through time." The odd but utterly believable story of Cal Stephanides, and how this 41-year-old hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides, whose elegant and haunting 1993 debut, The Virgin Suicides, remains one of the finest first novels of recent memory.
Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family history, from a fateful incestuous union in a small town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent love story to modern-day Berlin. Eugenides's command of the narrative is astonishing. He balances Cal/Callie's shifting voices convincingly, spinning this strange and often unsettling story with intelligence, insight, and generous amounts of humor:
Emotions, in my experience aren't covered by single words. I don't believe in "sadness," "joy," or "regret." … I'd like to have at my disposal complicated hybrid emotions, Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." ... I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
When you get to the end of this splendorous book, when you suddenly realize that after hundreds of pages you have only a few more left to turn over, you'll experience a quick pang of regret knowing that your time with Cal is coming to a close, and you may even resist finishing it--putting it aside for an hour or two, or maybe overnight--just so that this wondrous, magical novel might never end. --Brad Thomas Parsons
"A page turner and a heartbreaker, a tour de force of knotted tension and buried anguish.”—Time
“A Gothic tour de force. . . . A tight, deftly controlled story . . . . Just as accomplished [as The Remains of the Day] and, in a very different way, just as melancholy and alarming.”—The New York Times
"Elegaic, deceptively lovely. . . . As always, Ishiguro pulls you under." —Newsweek
“Superbly unsettling, impeccably controlled . . . . The book’s irresistible power comes from Ishiguro’s matchless ability to expose its dark heart in careful increments.” —Entertainment Weekly
Product Description
From the Booker Prize-winning author of The Remains of the Day comes a devastating new novel of innocence, knowledge, and loss. As children Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were.
Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special–and how that gift will shape the rest of their time together. Suspenseful, moving, beautifully atmospheric, Never Let Me Go is another classic by the author of The Remains of the Day
June Parker's life is meandering along until a freak car accident leaves Marissa, her 24-year-old passenger, dead and June wracked with guilt. June discovers a list Marissa had been keeping of 25 things she wanted to do by the time she turned 25. After a run-in with Marissa's brother, June resolves to complete the list.
Copyright © American Library Association. All rights reserved --
Starred Review. Tucker's outstanding novel (after Shout Down the Moon) is as structurally dextrous as it is emotionally satisfying, boasting a chorus of extraordinary voices and assured parallel plot lines separated by four decades. In the present day, 23-year-old Dorothea has left her overprotective father's secluded 35-acre New Mexico estate, called the Sanctuary, where she and her brother, Jimmy, had been sheltered from current news and all modern-day innovations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -
An American western with a most unusual twist, this is an imaginative fictional account of the participation of May Dodd and others in the controversial "Brides for Indians" program, a clandestine U.S. government^-sponsored program intended to instruct "savages" in the ways of civilization and to assimilate the Indians into white culture through the offspring of these unions.
Margaret Mitchell's story of Scarlett O'Hara's and Rhett Butler's beguiling, twisted love for each other, set against the gruesome background of a nation torn apart by war, is by all accounts epic--so much so that it feels untouchable. Yet McCaig's take on what many would consider a sacred cow of 20th-century American literature is a worthy suitor for Mitchell's many ardent fans, for reasons that may not be altogether obvious. It would be easy to look at Gone With the Wind and Rhett Butler’s People side by side and catalog what is accurate and what isn't and tally up the score. In doing so, however, the fan is apt to miss out on the best part of this whole book: Rhett Butler himself.
To pluck a character from a beloved book and recalibrate the story's point-of-view isn't an easy thing to do. Ultimately, the new must ring true with the old, and this is where Rhett Butler’s People succeeds beyond measure. In the spirit of Mitchell's masterpiece, McCaig never questions that love--of family, lover, land, or country--is the tie that binds these characters to life, for better or worse. --Anne Bartholomew
Starred Review. Celebrated in pre-WWII France for her bestselling fiction, the Jewish Russian-born Némirovsky was shipped to Auschwitz in the summer of 1942, months after this long-lost masterwork was composed. Némirovsky, a convert to Catholicism, began a planned five-novel cycle as Nazi forces overran northern France in 1940.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --
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Vote for the June General BOTM here:
- mupt02
(Group Owner) on Jan. 5, 2009 at 1:39 PM