What was your inspiration behind A is for
Autism, F is for Friend?
I think it was more like "who" was my
inspiration in that I really felt some sort of spiritual pull from many
of my past students as inspiration behind writing this book. Most of my
students with autism are diagnosed on the more "severe" side of the
spectrum and are effectively non-verbal. Working one-on-one with them we
developed ways to communicate with each other and I really felt that
each one of them had a story to share, but no venue or way to share it. I
do have a special relationship with one of my former students named Jon
and I have dedicated this book to him. He really shared with me that if
we take the time to get to know a person with autism on a personal
level, that individual will open up to you in a unique and rewarding
way.
What made you choose "rainbow" to describe the
autistic spectrum?
That came early on in the writing process
and just blossomed from there. I was trying to translate the word
"spectrum" into kid-friendly language. I thought back to my high school
biology class and it made perfect sense to replace spectrum with
"rainbow," but then symbolically, it went so much further representing a
rainbow of friends. One of the sayings I love to inscribe on books that
I sign is something I found on the internet that goes like this,
"Friends are the pot of gold at the end of the rainbow. I hope you will
join my rainbow of friends." Looking back in life, I remember some of
the lovely rainbows I have seen in nature and each one creates a unique
experience and memory which reminds me of how unique and memorable each
child with autism is with whom I have come into contact throughout the
years.
I love the "talk time" discussion points. Do
you find that this helps to engage children?
I really thought including the end of
chapter "talk time" was vital to the main goal of the book which is
teaching typical peers more about autism. I felt like Talk Time would
help any reader, teacher, community leader, scout leader or whomever
easily facilitate a discussion. I felt once the discussion springboarded
from these questions, typical kids would see how much more similar they
were to their peers with autism than different. I really wanted to
bring autism out into the open and unveil the mystery behind all the
behaviors and "oddities" that children might see on a playground or in
the community. Once the information is shared, kids can be pretty smart
and inventive on ways to better interact with their peers on the
spectrum. One time I shared the book with a class of sixth graders and
the discussion was so interactive that they didn't want me to leave
after being there over 2 hours sharing information on autism. It was
amazing - especially for sixth graders.
In your book, you discussed the 5 senses,
entitled "Sensing the Differences" and did a fantastic job at using "kid
speak". How would you explain the proprioceptive and vestibular senses
in "kid speak"?
I considered mentioning both in the book,
but I thought it might be too much information and confuse the basic
five. However, I have discussed these ideas with typical students when
they mention or ask something related without necessarily using the
terms. Honestly, I still haven't fully grasped these concepts as far as
explaining them to others. For "vestibular", I explain it in
terms of "knowing where your body is in relation to the earth." I
usually give an example of when you just step off a dock onto a boat
without holding on and you have to adjust where your body is in the boat
to get the balance. I explain that it's almost like their physical body
is in one place and that they actually feel like their body is in
another place - not in sync. For kids with vestibular challenges, they
might feel kind of "out of balance" like when you step onto that boat
and for them to feel "in balance" they might spin, rock or flap to get
the feeling of balance or calm. For "proprioceptive", I explain
it to relating to "where a certain body part is and how it is moving." A
child challenged in this area might seem to act clumsy or might play
aggressively, because they have trouble fully controlling the actions of
their body. An easy example I share is that I have a student who
presses down so hard when he writes, he needs to sharpen his pencil
every page. He is not able to control a regular tension on his pencil to
use a pencil for an entire assignment. Another student likes to be
squeezed between the floor and a beanbag chair, because that helps her
feel the position of her body within herself and helps her relax.
A comprehensive read for kids, you discussed
visual thinking, idioms and auditory processing. What was your most
profound professional experiences relating to each of these topics?
Since
I began working with students with autism, visual thinking is
constantly on my mind. I think now it is most profound when new staff
come into our classroom. Until they see this visual thinking in action, I
don't think they fully grasp its power. I see them asking a student
over and over and over again the same thing. Then I walk over, draw a
quick little cartoon of what they are asking, pair it with direct
language and "walah" I get a positive response. I tell the new staff
person that in reality, I didn't need to use any words, but we, as
educators, NEED to pair the words with the picture to help make our
words make sense. Generally speaking, my students want to succeed and
like to please us, but if we don't provide the support they need, they
might fail to succeed in certain areas.
Idioms are
always interesting. My most recent one I experienced with a fifteen year
old student occured while riding on the bus. He tends to have echolalia
moments which get louder on the bus and I turned around and said, "Zip
it, buddy." As I am sure you realize what's next, he zipped up his hoody
jacket. So, then for a few weeks we practiced combining the words "zip
it" with me physically modeling me zipping and then lightly squeezing my
lips. For a few days, he closed his lips while zipping his jacket, but
now when he hears someone say "zip it," he closes his mouth - at least
for a few seconds.
Profound moments
regarding auditory processing came both early on and most recently.
Early on, one of the highlights of my career was being patient enough to
wait while a student processed through whatever was going on in his
mind to be able to verbally request, "I want swing please, Joanna."
Waiting months to go from using picture cards, to combining words with
picture, to having a student verbally request for me, personally, to
help him swing was priceless. Then more recently, the memorable moment
was helping a substitute teacher understand that repeating requests or
questions does not help with delayed auditory processing. To show them
to S-L-O-W-D-O-W-N and simply wait (perhaps through almost a minute of
quiet) to actually watch a student process your request and then see
his/her answer forming verbally to me is always amazing. The students
really do teach the staff to just wait and listen and answers will come
much of the time. Many times, if there is a new staff member in the
class, they cannot understand this silence and they always chime in with
the answer. When they see me look in their direction, they say, "Oh,
you wanted the student to answer, sorry!"
You shared information on echolalia, stimming
and the aversion to eye contact in such an easy to understand style.
Why do you feel these were important components in your book?
I
wrote this book mainly with the thoughts of being on the playground at a
typical elementary school while working directly in a Special Day Class
with students who have severe autism. One of our jobs was to help our
students integrate with typical peers on the playground by playing
handball, tetherball, climbing on the jungle gym or whatever. The
problem was that my students often had very odd-looking behavior like
hand-flapping or spinning around. While the explanation for this
self-stimulatory (stimming) behavior was basically understandable, we as
employees were not able to explain it to peers due to confidentiality
rules for our students. That goes for the echolalia and aversion to eye
contact. Once explained to peers, it makes sense and they can move on to
help their peers have a little fun on the playground. However, what I
call the confidentiality blockade made it so difficult to get past the
easy explanation and get onto trying to play together. With this book, I
could use a fictional character with autism, Chelsea, to explain
everything from her perspective. To get her perspective, I used my own
classroom experiences as well as books and articles written by people
who have autism. I really felt covering these subjects was vital because
these are some of the things that put a physical barricade between kids
with autism and typical peers and with some pretty basic explanations,
these barriers can be overcome.
Your book features an excellent resource
section. Can you please tell us your absolute favorite website, book
and video?
Oh my goodness, I have a huge library of
books that I have devoured in my quest to learn more about autism. It is
so hard to select one. I do have to mention that those written by
individuals on the spectrum such as Temple
Grandin, Stephen
Shore, Haley
Moss and Zosia
Zaks help us gain such insider perspective that they are priceless.
One of my favorite books is called More
Than Little Professors which is edited by Lisa Barrett Mann. This
book contains over 200 pages of quotes, poems and illustrations offered
by children with Asperger Syndrome. I just love seeing their perspective
on so many different things. It really tickles me. As for video, I
really loved the recent release by HBO about Temple
Grandin. I think they did a fabulous job attempting to illustrate
the mind of autism through Temple's life story. I had the pleasure of
meeting Temple briefly and felt like they captured some of her essence.
Although I am slightly biased, I highly recommend my publisher's website
www.Asperger.net (Autism
Asperger Publishing Co.), because I truly feel that they have a wealth
of resources available for all ages and that they are truly motivated to
continue to provide resources for a wide array of topics related to
autism. Recently, they have especially addressed the teen years and
adult transition which is dear to my heart.
How do you feel this book can best be
utilized?
As mentioned earlier, my target audience is
sharing information about autism with typical peers in hopes of
springboarding discussions which will sort of "demystify" autism to
create a more welcoming community for kids on the spectrum. My website www.AisForAutism.net offers
free printable activitiesthat go with the book as well as a video summary which is
used often during autism awareness presentations for kids of all ages.
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